APPROACHES TO GENRE: THE NOVEL

What is sociological knowledge? How do certain novels acquire the resources to produce sociological forms of knowledge? In particular, what aesthetic practices and what features of novelistic form contribute to this kind of knowledge production? What critical frameworks allow us to perceive this aspect of the representational work that novels do? We will use a series of American, French, and English novels to pursue these questions, reading in tandem with them a variety of sociological works, including work by Durkheim, Weber, Marx, Lukács, Bourdieu, and Goffman, as well as some recent literary criticism.

Novels: Cooper, The Last of the Mohicans; Balzac, Old Man Goriot; James, The Ambassadors; Proust, The Guermantes Way; Woolf, To the Lighthouse; Cather, Death Comes for the Archbishop; Sarraute, Between Life and Death.