Books Worldly Stage: Theatricality in Seventeenth-Century China. Harvard East Asian Monographs, 2011. In progress: Substantive Fictions: Literary Objects of the Ming and Qing (1550-1750) Articles and book chapters “Seventeenth-Century Italian Scenographic Design and the Tongjing hua Paintings of Qianlong’s Private Theaters” in Qingdai xiqu yu gongting wenhua (Court Theater and Court Culture in the Qing Dynasty), ed. Zhu Wanshu, Shang Wei and Zhang Hongwei (Nanjing University Press, 2018), pp. 245-280. “The Vernacular Story and the Hiddenness of Value” in The Rhetoric of Hiddenness in Traditional Chinese Culture, ed. Paula Varsano (State University of New York Press, 2017), pp. 207-227. “Wu Lanzheng’s Jiang Heng Qiu.” Journal of Theater Studies vol. 2, no. 8 (July 2011): 113-138. “The Gift of a Python Robe: The Circulation of Objects in Jin Ping Mei,” Harvard Journal of Asiatic Studies, vol. 65, no. 1 (June 2005): 133-58. “Texts, Tutors and Fathers: Pedagogy and Pedants in Tang Xianzu’s Mudan ting” in Dynastic Crisis and Cultural Innovation from the Late Ming to the Late Qing and Beyond, ed. David Wang and Wei Shang, Harvard University Press (2005), pp. 25-62 “The Literary Circulation of Actors in Seventeenth-Century China.” Journal of Asian Studies vol. 61, no. 3 (Aug. 2002): 949-984. “Classifying Lust: The Seventeenth-Century Vogue for Male Love.” Harvard Journal of Asiatic Studies vol. 65, no. 1 (June 2001): 77-118. “Gender, Power, and Spectacle in Late-Imperial China.” in Gender Reversals and Gender Cultures, ed. Petra Sabrina Ramet. Routledge, 1996. “A Male Mencius’s Mother: Li Yu’s Virtuous Woman.” positions: east asia cultures critique, vol.2, no.1 (Summer 1994): 113-131.