Books Nabokov, Perversely (Cornell University Press, 2010). co-edited, with Christina Kiaer, Everyday Life in Revolutionary Russia: Taking the Revolution Inside (Bloomington: Indiana University Press, 2006). co-edited, with Evgeny Dobrenko, The Landscape of Stalinism: The Art and Ideology of Soviet Space (Seattle: University of Washington Press, 2003). Sex in Public: The Incarnation of Early Soviet Ideology. (Princeton University Press, 1997). Articles "Gospel Rape," Dostoevsky Studies, vol.22 (2018) “Kalganov,” Slavic and East European Review. 58:3 (Fall 2014), 394-418. “When Nabokov Writes Badly: Aesthetics and Morality in Laughter in the Dark,” Russian Review 73:4 (October 2014), 550-70. “Their Mutual Friend: On the Trail of the Woman Who Introduced Dickens to Dostoevsky,” The Times Literary Supplement, April 12, 2013, 16-21. Link to online version http://www.the-tls.co.uk/tls/public/article1243205.ece “Hermophobia: On Sexual Orientation and Reading Nabokov,” Representations, 2008, no.101, 116-43. “Children in The Master and Margarita,” Slavic and East European Journal, Winter 2006, vol.50, no.4, 655-75. “A Filthy Look at Shakespeare’s Lolita,” Comparative Literature, Winter 2006, vol. 58, no. 1, 1-23. “Perversion in Pnin (Reading Nabokov Preposterously),” Nabokov Studies, 7 (2002/2003). “‘Introduction’ to Andrey Platonov, Happy Moscow, trans. by Robert Chandler. (London: Harvill Press, 2001). “V zhopu prorubit’ okno: seksual’naia patologiia kak ideologicheskii kalambur u Andreia Platonova,” Novoe Literaturnoe Obozrenie, 32, 1998. “Shklovsky’s Dog and Mulvey’s Pleasure: The Secret Life of Defamiliarization,” Comparative Literature, vol.50, no.4 (1998). “When a Communist Writes Gothic: Aleksandra Kollontai and the Politics of Disgust,” Signs, vol. 22, no. 1, 1996. “Historectomies: The Metaphysics of Reproduction in a Utopian Age,” in Sexuality and the Body in Russian Culture, ed. J. Costlow, S. Sandler and J. Vowles (Stanford Univeristy Press, 1993). “Of Crime, Utopia and Repressive Complements: The Further Adventures of the Ridiculous Man.” Slavic Review, 50 (1991).